syllabus
Thea l050 Intro African American Theatre 1
Prof.: Von H. Washington, Ph.D.
Office: 1110 GTC Office Hours: Wed 3-4 p. m. Phone 7-3914
Section: 45666 Tue-Thur 12:30 – 1:45 p.m. Dunbar: 3201
Description: A survey/lecture course examining the activities and developments of African Americans as evidenced through their theatre, with emphasis on history, philosophy, dramatic creations, criticism, and socio-psychological concerns. Includes lectures on the theatrical contributions of Western and African civilizations.
Rationale: Traditionally, the American approach to the study of World theatre begins with a brief description of ritual in Northern Africa and then progresses quickly to the developments of Classical Greece. It then moves forward to Italy, England, Spain, Germany, Russia, and the USA. As in many cases with American historical studies, the process of examination is done from an Anglo perspective. As a result, the contributions and activities of African Americans, and other ethnic groups, have been ignored.
Goals: This course is designed to (1) introduce students to concepts and materials that will aid in providing an accurate evaluation of the life and contributions of African Americans. (2) Aid in developing analytical skills for proper assessment of those contributions.
Requirements: Because the course is based on lectures, reading assignments, discussions, and examinations, attendance is mandatory two (2) unexcused absences will result in grade reduction. All class work will begin on time and lecture notes will not be repeated.
Text: The Theatre of Black Americans, Eroll Hill / What the Wine-Sellers Buy Plus Three, Four Plays by Ron Milner/A Raisin in the Sun, L. Hansberry /Dutchman, Amiri Baraka (Leroi Jones) / Autobiography of a Homegirl, Yvette Heyliger/Fences, August Wilson.
Grading: Attendance, participation, and 5 quizzes (best 4 taken) 25%/ mid-term and final exams 25% each. Five video reports (2 pages typed or word processor: essay format [check library/must include—who, what, when, where, why, and how ). A good essay has a thesis statement, support materials, and a conclusion. Attend one theatrical production designated by the instructor. 25%/All assignments must be completed to receive a passing grade.
Academic Integrity: You are responsible for making yourself aware of and understanding the policies and procedures in the Undergraduate (pp. 274-276) /Graduate (pp. 26-28) Catalog that pertain to Academic Integrity. These policies include cheating, fabrication, falsification and forgery, multiple submission, plagiarism, complicity and computer misuse. If there is reason to believe you have been involved in academic dishonesty, you will be referred to the Office of Student Conduct. You will be given the opportunity to review the charge(s). If you believe you are not responsible, you will have the opportunity for a hearing. You should consult with me if you are uncertain about an issue of academic honesty prior to the submission of an assignment or test.
Calendar
Note: L & D Lecture topic for discussion.
Sept. 4 Overview/Syllabus /Theatre: A mirror of life. Afro centric Perspective
6 L & D: Roots of African Drama and Theatre/Egypt & Ritual (Brockett & Graft)
11 Reading: African Influences on the Afro-American Theatre by J. Hatch
13 L & D: The Greeks/Dramatic Structure (Brockett)
18 Video: Slavery Part I
20 L & D: Neoclassicism/Renaissance (Brockett) (Video Report Due)
25 Library Visit (Video Report Due)
27 Video: Slavery Part II
Oct. 2 L & D: The Age of Enlightenment/Modern Theatre
4 Read: The Escape or Leap to Freedom, by William Wells Brown
9 Two Afro-Am Contributions to Dramatic Form, J. Hatch.
11 Mid Term Exam
16 Video: Lift Every Voice
18 Lecture & Discuss: The Lafayette Players (Report Due)
23 Lecture & Discuss: The Role of Blacks in the Federal Theatre
25 Video: Without Fear or Shame
30 Lecture & Discuss: Mom, Dad, and God: Values in Black (Report Due)
Nov. 1 Lecture & Discuss: The American Negro Theatre
6 Reading: A Raisin in the Sun Quiz 1
8 Lecture & Discuss: Notes on Ritual in the New Black Theatre
13 Reading: Dutchman Quiz 2
15 Video: The Dream Keepers
20 Lecture & Discuss: The National Black Theatre
22 Thanksgiving
27 Reading: Fences Quiz 3 (Report Due)
29 TBA
Dec. 4 Reading: Urban Transitions Quiz 4
6 Reading: Autobiography of a Homegirl Quiz 5 / Final Exam Review
11 Final Exam 2:45 – 4:45
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Thea l050 Intro African American Theatre (2)
Prof.: Von H. Washington, Ph.D.
Office: 1110 GTC Office Hours: Wed 3 -4 p. m. Phone 7-3914
Section: 44071 Mon-Wed 4 – 5:15 p.m. Dunbar: 3216
Calendar
Sept. 5 Overview/Syllabus /Theatre: A mirror of life. Afro centric Perspective
10 L & D: Roots of African Drama and Theatre/Egypt & Ritual (Brockett & Graft)
12 L & D: African Influences on the Afro-American Theatre by J. Hatch
17 L & D: The Greeks/Dramatic Structure (Brockett)
19 Video: Slavery Part I
24 L & D: Neoclassicism/Renaissance (Brockett) (Video Report Due)
26 Library Visit (Video Report Due)
Oct. 1 Video: Slavery Part II
3 L & D: The Age of Enlightenment/Modern Theatre
8 Read: The Escape or Leap to Freedom, by William Wells Brown
10 Two Afro-Am Contributions to Dramatic Form, J. Hatch.
15 Mid Term Exam
17 Video: Lift Every Voice
22 Lecture & Discuss: The Lafayette Players (Report Due)
24 Lecture & Discuss: The Role of Blacks in the Federal Theatre
29 Video: Without Fear or Shame
31 Lecture & Discuss: Mom, Dad, and God: Values in Black (Report Due)
Nov. 5 Lecture & Discuss: The American Negro Theatre
7 Reading: A Raisin in the Sun Quiz 1
12 Lecture & Discuss: Notes on Ritual in the New Black Theatre
14 Reading: Dutchman Quiz 2
19 Video: The Dream Keepers
21 Thanksgiving
26 Reading: Fences Quiz 3 (Report Due)
28 Lecture & Discuss: The National Black Theatre
Dec. 3 Reading: Urban Transitions Quiz 4
5 Reading: Autobiography of a Homegirl Quiz 5 / Final Exam Review
10 Final Exam 5 – 7 p.m.
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